It was said that underwater photography started around 1800 when William Thompson took an underwater photograph with a camera mounted on a pole. But it was not until 1957 that underwater photography started to bloom when the first waterproof camera was invented.

As good as a waterproof camera may sound, underwater photographers nowadays generally use a casing to protect their camera so that they don’t need to have two cameras for land and underwater. Furthermore, these casings are usually made of plastic so they are light in weight and your wallet.

And to make underwater photography more enjoyable, compact digital camera manufacturers nowadays are looking into the possibility of water resistant camera. Very soon, you will see cameras that have stronger water resistant capability and good for diving even without any casing.

The next underwater photography equipment you will need is an underwater flash unit.
This is because as you dive deeper, you will start to see the loss of color in your surrounding hence the blue green color you often see underwater. A lobster will look dull and dark brown because the red and orange colors are absorbed by the water. So, an external light source is important to restore your subject’s color so that it will look more alive and real. One of the reasons for underwater photography is to amaze the viewer of the marvelous underwater world and you can’t do that with a boring picture.

Then, do you know that underwater photography is more than just about marine life? You can take pictures of the amazing cave system and some divers even become experts in underwater landscape photography. Who says landscape photography is only limited on land?

A very important tip about underwater photography is that you will want to learn to be good in diving before you take up this hobby. Not just that your diving skill will affect the quality of your pictures, your safety is also dependent on your diving technique. After all, you are the stranger in the sea and if you look at this from the marine’s eye, you are invading their territories and they have all the right to attack you.

The last underwater photography tip for you is that you will want to get as close to your subject as possible. This is again caused by the fact that water will absorb light and make your subject loss its true color. That is why you need to be a good diver so that you can stay calm when you are approaching your subjects without provoking them.

New York and New Jersey based Imageslice Productions offer photography & videography of high quality with elegance. Unlike other studios Imageslice offer lucrative Wedding Photography Packages to the people of Ridgewood, Glen Rock, Fair Lawn, Paramus areas of New Jersey and Brooklyn area of New York.

The great advantage of our productions is that we deliver 400-1200 proofs of wedding photographs within twenty business days without cost. For Customer’s convenience photography proofs are mailed to the customers without any charge. We offer packages with traditional Library Flush & Coffee Table style albums. Most innovative and elegant magazine style albums are shipped to New Jersey and New York from Italy. Different from other traditional albums these albums are designed to last forever. The goal of Imageslice is to provide you with lasting memories of your Wedding, Bar Mitzvah, Sweet 16 and any gathering of family or friends. Our highest quality of video recordings and photography will capture the people and events, which will make your special occasion so special.

Our photography packages include portraits sized 11×14 or 16×20. We can provide larger portraits of size 20×40 and 24×30 according to the customer’s requirement. We offer wedding photography and videography packages at reasonable price. We cater to every budget because we are the studio with a heart. You can have Wedding Photography Packages according to your interest and requirement. We believe in offering quality photography to clients and our photographers care and capture each & every special moment in a special way. Customers have options to have better package of their interest. We have given a reasonable discount on the purchase of any leather album.

We want you to remember every details of your wedding day. We capture each and every moment of your wedding so that enjoy your day and can have beautiful memories. We enjoy providing you with multiple styles of photography including, traditional, portraits and photojournalistic. We don’t limit our talents on your wedding day, and in return, you receive large number of photographs beyond your expectation in unbelievable range of style. We capture one moment from 3-6 different angles and lighting positions so that you can have more beautiful photographs of your special day. We have experience with many traditional weddings such as American Weddings, Russian Weddings, Jewish Weddings, Indian Weddings, Irish Weddings, Chinese Weddings, Arabic Weddings and we deliver photographs of high quality.

Our productions offer special effects photography for proofs, portraits, leather albums and video. Our Wedding Photography Picture Effects are unique and done with talent in high resolution Photoshop. We provide stylish albums, portraits and websites with special effects of photography. Common special effects are Black & White or Sepia effects which are applied in photography to give unexpected results.

Our attractive video packages include professional videographer, professional video editing and special effects. Our videographer can turn the camera 360 degrees to capture the event in full. You can have better sound quality based on digital surround sound. Videographers will capture all of the events like groom getting ready at a convenient location to the bride, Ceremony Park, and / or other locations, Cocktail Hour, Reception, Toasts, Guest Interviews, Dances and more Toasts and Interviews, Wedding Garter etc.

We have tried a lot to satisfy the customers in all expects including price and quality. Our attractive sound packages have also attracted the customers a lot. Our skilled photographers have selected the romantic areas of New York and New Jersey to give better service to the customers. We have also given the toll free number for further queries.

So, you can’t deny the fact that we are the number 1 in the wedding videography and photography in New York and New Jersey.

Digital macro photography is an art. There’s no question about that. It takes the genius of an artist to take something so ordinary and something so dismissible and turn it into something that just captures an aspect of life. For that is what art is. No art ever claimed to contain all the truths of life. Art is a reflection of the world through the eyes of the artist. By looking at a piece of art such as digital macro photography, we get to share the perspective of other people and that can be a very powerful connection.

Another thing about digital macro photography you should know is that it is not easy. You need to consider a lot of factors in order to produce great photographs. What are these factors?

Do you actually have the skills necessary for digital macro photography? Do you have the eye for beauty that would be appreciated by people who view your photographs? That’s not all you need. You also need to have a steady hand. While taking digital macro photographs, even barely noticeable movements of the hand can ruin your picture.

You need to have the skills to use a camera properly. You need to be able to adjust the camera in order to take the picture that you truly want to appear. Sure, you can actually edit a digital macro photograph using the computer, but why should you give yourself more work than necessary?

Some people have the necessary skills naturally. However, it is still important to hone these skills by taking classes or attending workshops. Remember that digital macro photography is all about showing things in different ways. Because of this, you need to accept the fact that other people may see your work differently from the way you see it. A fresh eye never hurts.

You also need the proper tools in order to express your talent. The proper tools can help you a lot if you want to achieve the effect that you want. Remember that although there are tools today that claim to be usable for any type of photography, you should try to find equipment that’s specially made for digital macro photography. This is because such equipment can definitely bring out the best in your skills.

The right equipment is essential because digital macro photography needs a lot of work in order to be perfect. If you have the right tools for digital macro photography, you will be able to achieve your goals and show your pictures the way that you want them to be seen.

Everything is interesting when viewed in different ways. However, some subjects are more interesting than others. Some objects, when you choose them as subjects of digital macro photography, manage to amaze you with the amount of things you do not know about them. Great subjects of digital macro photography reveal worlds beyond what you can see with the naked eye. So choose your subjects wisely.

Although digital photography was available even then, they had as yet to come into their own, or rather into my hands. Naturally enough, this meant that I was still lugging around my film SLR – that’s single lens reflex to all those out there who’re sitting around scratching their heads.

Anyway, along with my trusty camera, which I had spent a fortune to get by the way, I was also lugging around everything else that I needed along with it. Spare lenses, extra film, batteries, filters, basically the whole works. Having said that, even though I’m now almost fully digital through and through I still do carry most of the same things. The only thing that’s radically different in digital photography is the lack of film rolls.

I now don’t carry with me rolls and rolls of film, and I don’t need to wait eternally to reload the camera either. Instead I have learned to do a quick change of my memory cards even under the direst of weather circumstances.

Speaking of dire weather conditions it was on one of these days that I was introduced to digital photography.

The one great thing about digital photography though, was that I get to see the pictures I take immediately I take them. The small viewfinder that accompanies just about all new digital cameras is perfect for determining in an instant whether you need a reshoot or not. Of course the screen is generally too small to see too much detail but it works for the most part.

And if you really want to go high tech and see right then and there whether your photograph came out okay, all you need is a laptop computer. With digital photography your shooting abilities will increase manfold as you now also have the ability to store more shots as well. All you need to do is to transfer the pictures to the laptop and you have a newly emptied memory card just waiting to be filled.

If you’re somewhere in the middle of deepest Antarctica or somewhere equally cold of course, then you won’t want to spend time fiddling with all these gadgets and might only want to get back to blessed warmth. But digital photography as option is always open for you to take if you want to take the time and effort to empty out your memory cards while you’re out in the field shooting away.

For my part I prefer to have the laptop with me only on certain trips that I take. Like the ones where transportation and storage are easy and where I don’t have to lug the silly thing along with me everywhere I go, along with my digital photography equipment! You might of course feel differently about that, but as I like to say, each to his own. First things first though, you need to decide whether you like digital photography or not.

For many a professional photographer, the difference between choosing digital photography cameras over film cameras, is somewhat akin to the preference of manual transmission over automatic transmission cars for the professional driver. Although to a very great degree digital photography and manual photography are both the same, and they both yield almost identical results, in the end when push comes to shove, the manual car will always give them more power and control when they need it most.

And that’s why you’ll still see quite a lot of professional photographers hugging their old film SLR’s to their chest, refusing to part with it. It has nothing whatsoever to do with the inability to change and adapt as much as it is the knowledge that film cameras – for the moment at least – will yield far better results when push comes to shove.

For the beginning photographer though, digital photography is as good a way as any to go, and if you’re mainly an enthusiastic amateur, you’ll get along fine with your digital camera. It’s when you start going up in the stakes that you have to make a decision whether you want to upgrade with digital photography all the way, or whether you want to go for the film camera.

Then again, before we end this article, I just have to point out that technology is advancing in quantum leaps and bounds, and that there’s a huge possibility that you will see more and more people abandoning their film cameras for the power of digital photography.

To my mind there are two distinctly different types of landscape photography around. That of the natural landscape photography, and that of the urban landscape photography. Both have their pros and both have their cons, and it’s really up to the photographer and their sense of imagination to get across to us a grand scene.

Be that as it may though, to get a decent landscape photography shot you don’t need to travel to far and distant lands, in fact you don’t even need to leave your home.

To start your landscape photography you can just take a ride on out to your back, or front yard, and have a quick go there to see how well you can make this everyday setting into something extraordinary.

Of course the fun with traveling to far and distant lands to get your landscape photography shots is that most of the hard work has already been done for you.

The scenes have already been set to perfection and there’s always going to be some really great vantage point that you can go to, to take your pictures.

The trouble with going it at home is that you need to set the shot up for yourself. You need to see the good in your yard and you need to be able to translate that into something that doesn’t look like your back yard.

Landscape photography is not an easy task, but it is well worth the try as you open yourself up to the vast array of possibilities and you learn to think outside of the box. So the next time you go to far and distant lands you won’t just be taking the same old boring shot that everyone before you has, instead you’ll be looking at the various possibilities to be had from different angles and how you can possibly accomplish landscape photography.

Like I said earlier there are two types of landscape photography and natural landscape photography is one of them. Landscape photography of this variety is what you see most of the time. Shots of lightning streaking down from the sky, tumbling waterfalls, roiling seas and densely packed green foliage from the middle of a rainforest, we’ve seen them all and yet we keep coming back for more. We never tire of seeing these glorious photographs, just as we never tire of seeing the more mundane landscape shots either.

The ones taken of the more tranquil scenes, of ponds filled with lily pads, of gardens filled with riotous flowers, and of mile upon mile of rolling farmland stretching out into the distance as far as the eye can see. These all appeal to us and what appeals to us most is what we will also try to photograph.

The urban jungle on the other hand is not something that appeals to everybody. Some find it to be too stark and prefer instead the landscape photography view of nature.

But the urban jungle is a truly magnificent place in which you can get lost and take the most amazing pictures. You just need to know where and how to look. There are so many interesting sights that we take for granted and pass by everyday without thinking twice about it.

It’s only when the truly inspired landscape photographer takes a look into this little world of ours and sees it for what it is and shoots it, that we also see the beauty in it. As you can see, and as you have seen in the past, landscape photography doesn’t need to be only about Nature’s landscapes, it can also be about the magnificence of man-made landscapes as well.

A few years ago, I wrote an ebook to teach beginners the basics of good photography. You know, aperture, shutter speed, depth of field, lighting, composition; the kind of things that are the stock-in-trade of any experienced phogographer. In recent times, I have been amazed at the increasing number of people eager to get their hands on this type of information.

With the internet seemingly taking over the world, and the explosion in availability of books, ebooks and courses on just about every subject, why is it so hard for a new photographer to find out how to use their camera? It’s a mystery for the modern age, but I think I may have found the answer.

If a person has a bad experience, especially if that experience cost them hard-earned dollars, they will tell others. And what they are telling me is that they are NOT HAPPY with most of the photography courses and guides on offer.

Many courses and workshops advertising ‘digital photography’ have little or nothing to do with actual photography. That’s right, you can sign up to learn the skills of better photography and not learn one thing about taking better photos.

Instead, what you get is a workshop on digital imaging, or photo editing. How to fix up your bad photos, how to superimpose rainbows and birds into your landscapes and how to remove freckles and pimples from your portraits. How to use software which, in many cases, the customer doesn’t have, doesn’t want and possibly can’t afford.

Are these useful skills? Of course they are, but they are not photography. At best, they are secondary skills that enhance the creative possibilities of photography, for people who choose to go down that path. This does not include everybody.

The result could be a generation of ‘photographers’ who know more about fixing up their mistakes on a computer than about taking good photos in the first place.

If a customer pays you to teach them photography, they have a right to expect that they will learn how to use a camera. If they want to learn about computer software, they will buy a different ebook, or sign up to a different course. If you take their money, then sit them in front of a computer for three days, you have not given them what they paid for. If your customer asks for their money back – so they should.

I could take a pessimistic view, and think that some photographers have become so lazy, so unskilled, that they really believe digital manipulation is more important to photography than skill with a camera. I prefer to think that the customers I have spoken to have just been the victims of misunderstandings and poorly worded advertising.

Whichever is the case, customers beware! Before you hand over your money, find out exactly what you are signing up for. If you want to learn to be a better photographer, make sure the course, workshop, or ebook is about using your camera, not just a computer. If software is a component of the course, terrific – you are getting a well rounded look at the world of photography. If it is the only component, shop around; there are still people out there who want to teach what you want to learn.

I use film, but if someone asks me whether they should buy a film camera or a digital camera, I almost always recommend digital. The answer is not so simple if someone asks me which is ‘better’ – film or digital?

The answer comes down what you mean by ‘better.’ Photography is many things to many people, so the merits of the medium depends on what you expect to get out of it.

In my business (a nature photography gallery), the single most important criteria is the quality of the printed photograph. For me, film still provides superior quality enlargements, even though darkroom printing has all but died out. These days, I get a high-resolution scan from the original film, and print my photos digitally. This process gives me a better quality enlargement than a print from a digital camera. I am talking about BIG enlargements here – A2 and sometimes larger.

So why do I recommend others to switch to digital photography (if they haven’t already)? Simply because not many people make their living selling framed photographs. Let’s face it, how many of us will ever print a photo larger than 8×12 inch (20×30cm)?

These days, in fact, how many of us ever get around to printing our photos at all? The day of the photo album has passed. Today most photos will only ever exist as digital files. We can share them in emails, insert them into websites, use them as screensavers…for many people the idea of actually printing a photo is little more than a novelty.

So in the age of digital photography, what does film has to offer? Well, not much, except for the high cost of developing and printing (don’t forget you have to pay for each exposure, even the bad ones). Then there is the long delay between taking the photo and seeing the result. Finally, if you want to use your photo for any practical purpose, you will probably have to scan it to turn it into a digital file anyway.

So, is digital photography ‘better’ than film photography? In the modern world, which demands speed and convenience, yes. With your digital camera you can take all the photos you like at no real cost, and see the results instantly. You don’t have to pay to print photos you don’t want, and you can simply delete your unsuccessful images from your camera.

That’s not to say digital photography is perfect; far from it. I have already mentioned that your digital files are not as good as film for very big enlargements, but there is more to it than that. The quality of a digital print is a little ‘flatter’ than a photo printed from film. It may have plenty of colour and detail, but in ways that are hard to explain, it lacks the illusion of three-dimensional real life that you can get from film.

In the past, most digital photographers would laugh at me for suggesting such a thing. I suspect that was because after investing a small fortune in their new technological treasure, they were reluctant to admit that their new toy was not perfect in every way. Today, however, even the most committed digital convert seems willing to admit that the digital revolution has, for all its advantages, brought with it a level of compromise in quality.

Is there a solution? Of course there is, and it is called software. Whichever editing program you use, it is quite easy to ‘tweak’ your photos to a standard that is as rich and three dimensional as a photo printed from film. These programs have become a fact of life for many photographers, but not everyone likes to use them or even knows how to. Then there are the grumpy old purists (like me) who feel that a well-exposed photo should not require enhancement to bring it up to standard.

So where does all this leave us? Is digital better than film? For my purposes, no. For your purposes, most likely yes. If your priority is not large, high quality prints, there is really very little reason to stick with film (other than nostalgia).

If you are shopping for a camera (SLR or compact), make it a digital. Just as important, take the time to learn how to use it. Photography is still about focus, aperture, shutter speed, composition and lighting. The digital vs. film debate means nothing if your camera is always switched to auto for taking snapshots. Oh, and get to know your computer…you’re going to need it.